By Julian Connolly
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In those early twentieth century literary essays, Stefan Zweig deals a vital eu view of the writers he believed to be the “three maximum novelists” of the nineteenth century: Balzac, Dickens, and Dostoevsky. In Zweig’s view, Balzac got down to emulate his formative years hero Napoleon. Writing 20 hours an afternoon, Balzac’s literary ambition used to be “tantamount to monomania in its patience, its depth, and its focus.
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A Reader's Guide to Nabokov's 'Lolita' (Studies in Russian and Slavic Literatures, Cultures, and History) by Julian Connolly